this series of sculptural collages is a material study of the construction site. using found fragments, each piece is composed through acts of balancing, binding, and leaning, allowing gravity and resistance to shape the form. the sculptures hover between the natural and the constructed, between decay and emergence. they read as temporary monuments to a landscape in transition. through recomposition, the work explores how overlooked matter can hold narrative potential. this series functions as a research practice, establishing a material language later explored in the re-compose project.